Dennis James Sweeney

Dennis James Sweeney is the author, most recently, of How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses, a guide for writers. His books also include The Rolodex Happenings (Stillhouse Press, 2024), You’re the Woods Too (Essay Press, 2023) and In the Antarctic Circle (Autumn House Press, 2021), which won the Autumn House Rising Writer Prize. His writing has appeared in Ecotone, The New York Times, and The Southern Review, among others. He has an MFA from Oregon State University and a PhD from the University of Denver. Originally from Cincinnati, he lives in Amherst, Massachusetts.

Under the city is a field 

     of coals and time 

where hours bray 

     “Oh who 

leads the bad flock” 

through alphabets of sour 

feathers and phyto- 

everything, breast 

of water which 

lives last— 

now helm with it 

     Our weightless 

     myth inside 

I called the name of wells 

where organs glowing 

tear parties to life 

     and the flatulent age 

rose, skipping 

the city, into 

warm fame

Sick in the transit to morning 

I sprout bedholes 

A mirror draped 

over the contours of a face 

Our château sighs polish 

and burns heavy for a flock of ONE

Because who to follow? 

Morning counts teeth 

and teeth know the morose afternoon 

how it won’t be woken, hides an artery

with a mountain ache 

Man Rises and Flutters Through 

Man Rises Because the Light 

won’t let him flick it away

You get the day like a paper 

           there is not time 

      enough to stop 

                 and say, “It is serious

now, it is 

a cruel boat 

sick is the least of it

we live sincerely 

where the weapon is a frame” 

One day there will be no place to put this 

but some renegade memory 

in a hole in a future cave 

Now I am trying, I am really trying to say 

that the fever has broken: through the sweat

stretches a cold hand  

though we just know, we have 

this feeling, that we could warm it

Moon-like I suffer 

the consequences of being in the right place

at a time in transparent robes

the king of do-nothing-but-say

“Love, we are saying what we cannot 

but look at us     tidal at a shore 

we’ve made”     No—look

leisure and bleating, I know no longer spat

in the folds of history:
                                   

give me the words

for moon-red like how we fight

for there to be a fight

and the requiems for where

in the ocean, no lamp is

because there is no life

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